Special effects editors have cause to celebrate: The fourth "4" in 4444 refers to alpha channel. Boasting 4:4:4 color sampling and a 330 megabits/sec bitrate, this will likely become the codec of choice for RED and other high end formats. With Final Cut 7, Apple expands the ProRes family with three powerful new options.īuilt from the ground up for the highest quality possible, ProRes 4444 is ideal for effects-heavy productions and feature films. When Apple released Final Cut 6 some years back, they created the ProRes 422 and 422 HQ codecs for professional-quality finishing. Fast-forward a decade and the software has been used to edit countless feature films, broadcast news stories, commercial spots and music videos. When Final Cut first came to market, target users were primarily independent filmmakers and moving-image artists. In bypassing the old "Export to Compressor" method, Final Cut 7 simplifies the sharing experience-saving you time and shortening the file format learning curve. Pre-set menus and lack of customization make the Blu-ray burning more ideal for reviewing HD content and less attractive for final distribution.Įxporting through Share is simple and convenient, requiring only a single click. The LaCie d2 Blu-ray Drive is a reliable option at a good price. Currently, Apple requires a 3rd party Blu-ray burner. While standard DVD authoring can be customized through DVD Studio Pro, burning to Blu-ray is rather limited. There's even an option to burn directly to DVD or Blu-ray. Simply enter your account information, and uploading begins automatically after compression. Sharing to the Web is equally easy with MobileMe and YouTube support. Using a highly intuitive interface, editors can export directly to iTunes with device-specific support for the iPod, iPhone and Apple TV. Taking a nod from iLife '09, Final Cut 7 adopts an easy export Share option (File -> Share). Review dailies, edits, and timecode with your director or client for instant input, feedback or approval. IChat Theater integration takes this a step further by connecting the editor with anyone over a live video chat. It may seem like such a small thing, but these new color-coded representations of markers and tabs provide powerful content organization and allow for clear and focused communication of specific edits with colleagues and collaborators. A two-minute trailer can easily be tabbed in blue, and 60- and 30-second spots in orange and red. Consider producing a series of spots for a feature film. New colored tabs keep versions and alternate takes in plain sight. Markers even ripple automatically with changes in the Timeline-giving the first cut and the final cut equal searchability. Going over notes with your producer, special effects designer and sound mixer is now as simple as choosing a color. ![]() Tags can later be exported as a spreadsheet. All notes are searchable using "Find" (Command+F). Tagging a dialogue transcription to a clip makes finding key scenes or important lines easy. Notes and custom data are easily appended to clips as they play. Different colored markers can be used to identify everything from needed special-effects composites to ADR and Foley sound requirements. The addition of color-coded markers allows editors a simple means of locating and adding comments to content on the Timeline. ![]() This simple addition is one of several new features that allow for greater collaboration. A resizable Timecode window makes logging notes and going over edits with colleagues much easier. The Browser, Viewer, Canvas and Timeline are virtually identical to those found in Final Cut 6. If you've used previous versions of Final Cut Pro or even Final Cut Express, you'll be pleased to find the workspace of the latest version much the same. These updates have always been informed by the latest innovations in both Apple hardware and OS software deployment. With each subsequent release, the software has offered greater stability, reliability, and productivity in the ever changing moving-image space. In that time, the professional, nonlinear video application has seen many improvements and features added. It's been more than 10 years since Apple brought its first version of Final Cut Pro to market.
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